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The years of the good melancholy, global battle II, and their aftermath introduced a sea switch in American song. this era of financial, social, and political adversity can really be thought of a musical golden age. within the realm of classical song, Aaron Copland, Samuel Barber, Howard Hanson, Virgil Thompson, and Leonard Bernstein―among others―produced symphonic works of significant energy and lasting good looks in the course of those stricken years. It was once in this serious decade and a part that modern writers on American tradition started to speculate approximately "the nice American Symphony" and appeared to those composers for tune that will embrace the spirit of the nation.

In this quantity, Nicholas Tawa concludes that they succeeded, at the least, in generating tune that belongs within the cultural reminiscence of each American. Tawa introduces the symphonists and their significant works from the romanticism of Barber and the "all-American" Roy Harris during the theatrics of Bernstein and Marc Blitzstein to the broad-shouldered attraction of Thompson and Copland. Tawa's musical descriptions are bright and private, and invite track fanatics and proficient musicians alike to show back to the outstanding and lasting track of this time.

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