By Danielle Russell
In this research, Russell explores the ways that Willa Cather and Toni Morrison subvert the textual expectancies of gendered geography and push opposed to the limits of the reliable canon. As Russell demonstrates, the original depictions Cather and Morrison create of the yankee panorama problem latest assertions approximately American fiction. in particular, Russell argues that the intimate connections among house, gender, race, and identification as they play out within the fiction of Cather and Morrison refutes the parable of a unified American panorama and therefore opens up the territory of yankee fiction.
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